Torn Apart by Memories: tom Wingfield in the Glass menagerie         In a sadly perplexed fashion, Tennessee Williams portrays a chief(prenominal) character who troubles himself with two possible options: either to take duty for his family or to follow his own ambitions and live a to a greater extent independent life. Being a childs play performed strictly from Toms stock (a shady, illusion-filled one, that is), the nature of the Glass Menagerie contributes to the effects of confusion, isolation, and perplexity of Toms character. twain Toms internal conflict and the style of the play complement apiece other in a fashion that allows Williams to illustrate and some ro populaceticize the meaning of the work as a whole, a meaning that simply informs the audience that life is full of illusions.
        incantation and oddity drive the play. One of Toms more significant problems in life is that he is a middle aged universe living at home with his own mother and sister. Although Toms bereavement to ever leave the home may be perceived as genuine love for Amanda and Laura (somewhat justifiably so), he is trap more than he wishes to be. Amanda is terribly annoying. Whether constantly referring to her childhood (perhaps a symbolic representation of her own failures), being worried that Tom is an alcoholic, or constantly nagging him about his eating habits, Amanda is a hyperbolized version of a terribly worried mother. Tom has an instigate to leave her and the family behind and start up a more exciting lifestyle traveling around the world. Nevertheless, he feels a responsibility ? which he himself fails to ever completely comprehend the reasons of this responsibility ? to stay behind with the family until his self-imposed deadline of finding a man for Laura. Accepting this responsibility leads Tom (or at least leaves a general feeling with the audience) that independence and happiness is simply an illusion.
        Williams structured the play to revolve around Toms often twisted memories.
Amongst these punic memories (everything is questionable because the story is essentially presented from one persons point of view), equivocation the tribulations and conflicts that Tom must deal with on a day by day basis. The annoyances of Amanda result in Toms urge to leave. Lauras collection of glass dolls and her romance world only annoy Tom further. The memory of his flummox and the eerie similarities to himself haunt Tom. Somewhat bothered by the prospects of meet identical to his own father, Tom is reluctant to leave the household. This faltering is cleverly portrayed through his own memories contributing to the boilersuit tone of the play ? a tone of instability and lastly hopelessness.
All of these internal conflicts presented in a play that is in its nature internal lead to the feelings of sad perplexity and roughly a hopelessness. Williams uses Toms conflict in the context of the shady play structure to provide the feeling that happiness and perhaps stock-still life is an illusion.
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