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Sunday, March 24, 2019

Whats at Stake in The Graduate :: Movie Film comparison compare contrast

Whats at Stake in The grade Every date somebody rents a video or watches a movie on television there is always that little blurb right ahead they begin viewing round the picture being formatted for the screen. Usually, it is ignored or merely taken as a cue that the film is about to start. That little forewarning actually holds a lot of significance, for when bingle views a movie in its original, widely screen version, a whole raw world opens up. When a movie is altered from its initial state, and cropped in the modify room for home viewing, an overwhelming amount of the film is unsuspectingly missed. This has extend extremely obvious when viewing any movie, and in The Graduate a lot of innovative things argon adjusted and lost. There ar mingled irradiations edited, cut off, and many dynamic camera techniques lose their raise when The Graduate is transformed from the intended wide screen version to the formatted television edition. Edits are a very apparent change in T he Graduate when one witnesses the wide screen version compared to the cropped format. For example, in one of the beginning mise en scenes, when Mrs. Robinson is inquire Ben for a ride home, she casually tosses his keys into the fish tank behind him. In the letter boxed edition, the attestor is able to see her deliberately nurse the keys over Bens shoulder and into the fish tank in one iodine shot, thereby watching Ben actually follow the arc of the keys path, and their decent into the water. In the formatted version there is an edit, splitting the ii characters into different shots. All the viewer sees is a medium shot of Mrs. Robinson throwing the key, then an immediate medium shot of Ben turning around and then all of a sudden the keys are floating in the tank. The viewer does not see the obvious attempt of the throw, the actual flight of the keys, nor Bens reaction to it, therefore missing the important effect that reveals Mrs. Robinsons immediate control over Ben. Anothe r example is in the scene at the Robinsons house, immediately following Mrs. Robinsons seduction as Ben is talking with Mr. Robinson. The two of them are talking in the foreground, when Mrs. Robinson is finally seen descending the stairs. In wide screen, Mrs. Robinson is shot walking in the distance right between Ben and Mr.

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