Your Mind is a Door-and each knowledge a keyholeAre we destroying the uncommon and central significance of a text when we impose upon it a specific place? Philip McGreevy, from The Writer?s Journal, explores the effect mise en scene and specific ?readings? have upon the meaning interpreted, and more importantly the meaning overlooked, in regard to Gwen Harwood?s poetry.
A consideration of Gwen Harwood?s poetry emphasises the effect context has on the reception of a poem by a specific audience. In the fifties Harwood began saying her poetry but the social trends of that era super imposed her throws reception. 1950s Australia was a male predominate society which had little respect for poetry, specially that of a ? little Tassie housewife? who was discussing controversial ideas and challenging social boundaries. She placed her work in The Bulletin but due to social stereotypes and discrimination, particularly by the bulletin editors, found herself unable success spaciousy publish her work. This forced her to the use of pseudonyms (such as Walter Lehman) and eventually her frustration with twain Australian society and the publishers of The Bulletin lead her to conduct the disreputable Bulletin hoax. Her poetry was often viewed as domestic and individual(prenominal) and thus considered irrelevant. However some contemporaries, such as Alex Hope, Vincent Buckley and pack McCauley, did appreciate Harwood?s work for the insight it provided.
These literary figures accomplished the timeless ideas her work explored relating to existence, childhood, personal development, memory, time, life and death, and imagination. Not until much(prenominal) later were these perspectives adopted as a dominant reading of her work. Some commentators suggest consideration of various readings is to the detriment of an allot academic study of the poems. This can easily become the slip when an audience only focuses on a single perspective which inevitably excludes alternative meanings. If our...
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