To understand the role of religion in Chronicle of a Death Foretold by Gabriel Garcia Marquez, first we have to understand the backcloth of plot, the era where the story has been develop, the society and community it deals with. The work is club in an unnamed, remote part of Colombia. The novel is considered by some(prenominal) to be loosely based on the killing of can Genovese in New York City in 1964.
For the novelette that continues to win well-deserved accolades for its multi-faceted qualities since it was first published in 1981, the plot is disarmingly and deceptively simple: narrated in journalistic investigative mode, it pieces together and recounts how the Vicario brothers set about and finally avenge the honor of their sister, Angela, who gets married to the squiffy and suave Bayardo San Roman in a lavish eucharist but is spurned on the wedding night itself and returned in disgrace to her parents because the groom discovers that she has already been deflowered. Pushed against the wall, Angela accuses Santiago Nasar , another wet inhabitant of Arab descent , of being her violator.
It is generally considered by nigh readers that the initial chapters lay bare the religious and spiritual piece of the townspeople but I believe that religion is subliminally turn in even earlier, within the title of the novella itself.
The very script Death is integrally and inextricably linked with matters religious. Afterall, arent the mysteries surrounding blood and the eventual inevitability of death and its varied reasons (sudden, accidental or planned) the moot points of religion? Man, since times immemorial has looked heavenwards conjure answers to numerous unsettling and puzzling questions with which our lives are beset with every mo of the day; from the mundane prosaic familiar everyday things to the agonize ones about...
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